Audio Files
A Designs
Individual files with the Pacifica only
Juliette Drums - Kick: Sure Beta 52
Juliette Drums - Snare: SM57
Juliette Drums - OHs: AT 4050
Juliette Bass (Direct Through REDDI)
Juliette Organ (PACIFICA AEA R84s, RE20)
Juliet Electric Guitar 1 (Pacifica, AEA R84)
Juliette Acoustic Guitar (PACIFICA, AT 4050)
Juliette Acoustic Guitar (PACIFICA, AT 4050)
Juliette Vocal (PACIFICA, Bock 507)
Just Dance Drums - Kick: RE20
Just Dance Drums - Snare: KM84
Just Dance Drums - OHs: Royer SF12
Just Dance Bass: (Direct Through REDDI)
Just Dance Organ(PACIFICA AEA R84s, RE20)
Just Dance Electric Guitar (PACIFICA AEA R84)
Just Dance Piano (PACIFICA, Shure KSM44s)
Just Dance Vocal (PACIFICA, Bock 507)
Individual files compressed with the Nail
Juliette Drums - Kick: Shure Beta 52
Juliette Drums - Snare: SM57
Juliette Drums - OHs: AT 4050
Juliette Bass (Direct Through REDDI)
Juliette Organ (PACIFICA AEA R84s, RE20)
Juliette Electric Guitar 1 (PACIFICA, AEA R84)
Juliette Acoustic Guitar (PACIFICA, AT 4050)
Juliette Vocal (PACIFICA, Bock 507)
Just Dance Drums - Kick: RE20
Just Dance Drums - Snare: KM84
Just Dance Drums - OHs: Royer SF12
Just Dance Bass: (Direct Through REDDI)
Just Dance Organ (PACIFICA AEA R84s, RE20)
Just DanceElectric Guitar (PACIFICA AEA R84)
Just Dance Piano (PACIFICA, Shure KSM44s)
Just Dance Vocal (PACIFICA, Bock 507)
Individual files Equalized with the Hammer
Juliette Drums - Kick: Shure Beta 52
Juliette Bass (Direct Through REDDI)
Juliette Organ (PACIFICA AEA R84s, RE20)
Juliette Electric Guitar 1 (PACIFICA, AEA R84)
Juliette Acoustic Guitar (PACIFICA, AT 4050)
Juliette Vocal (PACIFICA, Bock 507)
Just Dance Drums - Kick: RE20
Just Dance Drums - Snare: KM84
Just Dance Drums - OHs: Royer SF12
Just Dance Bass: (Direct Through REDDI)
Just Dance Organ (PACIFICA AEA R84s, RE20)
Just Dance Electric Guitar (PACIFICA AEA R84)
Just Dance Piano (PACIFICA, Shure KSM44s)
Just Dance Vocal (PACIFICA, Bock 507)
Bock 507
"Just Dance" Vocal
"Juliet" Vocal
Daking
Daking Mic Pre EQ - Drums and Percussion
Kick no EQ - Shure Beta 52A
Kick w/EQ - Shure Beta 52A
Snare no EQ - Shure SM57
Snare w/EQ - Shure SM57
Tom 1 no EQ - Sennhesier MD 421
Tom 1 w/EQ - Sennhesier MD 421
Tom 2 no EQ - Sennhesier MD 421
Tom 2 w/EQ - Sennhesier MD 421
Tom Groove w/EQ
Cajone no EQ - Sennhesier MD 421 and Shure Beta 52A
Tambourine no EQ - Sennhesier MD 421 and Shure Beta 52A
Shaker no EQ - Sennhesier MD 421 and Shure Beta 52A
Tim Horsley's Big Groove
Daking Mic Pre EQ - Guitar
Acoustic no EQ - Neumann KM 84s
Acoustic w/EQ - Neumann KM 84s
Electric no EQ - Fender Deluxe with an SM57
Electric w/EQ - Fender Deluxe with an SM57
Electric Solo no EQ - Fender Deluxe with an SM57
Electric Solo w/EQ - Fender Deluxe with an SM57
Daking Mic Pre EQ - Basses
Electric Bass no EQ
Electric Bass w/EQ
Upright Bass no EQ - AEA R84
Upright Bass w/EQ - AEA R84
Daking Mic Pre EQ - Keyboards
Piano no EQ - Shure KSM44s
Piano w/EQ - Shure KSM44s
Rhodes no EQ - AKG C 414s
Rhodes w/EQ - AKG C 414s
Hammond Organ no EQ - AEA R84s
Hammond Organ w/EQ - AEA R84s
Daking Mic Pre EQ - Vocals
Vocal No EQ - Bock 195
Vocal w/EQ - Bock 195
Daking Mic Pre EQ - Comparison Files
Yamaha C7 Piano - Preamp N - Shure KSM44s
Yamaha C7 Piano - Daking - Shure KSM44s
Hammond C3 Organ - Preamp N - AEA R84s
Hammond C3 Organ - Daking - AEA R84s
Upright Bass - Preamp N - AEA R84
Upright Bass - Daking - AEA R84
Drum Groove - Preamp A
Drum Groove - Daking
Fender Precision Bass - Preamp A
Fender Precision Bass - Daking
Paul Reed Smith Electric Guitar - Preamp A - Fender Deluxe with an SM57
Paul Reed Smith Electric Guitar - Daking - Fender Deluxe with an SM57
Daking FET II - Drums and Percussion
Kick w/ EQ(Threshold 0, Ratio 3:01, Attack 250): Dry
Kick w/ EQ(Threshold 0, Ratio 3:01, Attack 250): Release 1.0
Kick w/ EQ(Threshold 0, Ratio 3:01, Attack 250): 33609 Release
Kick w/ EQ(Threshold 0, Ratio 3:01, Attack 250): Compex Release
Kick w/ EQ(Threshold 0, Ratio 3:01, Attack 250): Fairchild Release (Position 5)
Snare w/ EQ (Threshold -2, Ratio 3:01, Attack 500): Dry
Snare w/ EQ (Threshold -2, Ratio 3:01, Attack 500): Release 1.5
Snare w/ EQ (Threshold -2, Ratio 3:01, Attack 500): 33609 Release
Snare w/ EQ (Threshold -2, Ratio 3:01, Attack 500): Compex Release
Snare w/ EQ (Threshold -2, Ratio 3:01, Attack 500): Fairchild Release (Position 5)
Tom 1 w/ EQ (Threshold -2, Ratio 3:01, Attack 250): Dry
Tom 1 w/ EQ (Threshold -2, Ratio 3:01, Attack 250): Release 1.5
Tom 1 w/ EQ (Threshold -2, Ratio 3:01, Attack 250): 33609 Release
Tom 1 w/ EQ (Threshold -2, Ratio 3:01, Attack 250): Compex Release
Tom 1 w/ EQ (Threshold -2, Ratio 3:01, Attack 250): Fairchild Release (Position 5)
Tom 2 w/ EQ (Threshold 0, Ratio 3:01, Attack 250): Dry
Tom 2 w/ EQ (Threshold 0, Ratio 3:01, Attack 250): Release 1.5
Tom 2 w/ EQ (Threshold 0, Ratio 3:01, Attack 250): 33609 Release
Tom 2 w/ EQ (Threshold 0, Ratio 3:01, Attack 250): Compex Release
Tom 2 w/ EQ (Threshold 0, Ratio 3:01, Attack 250): Fairchild Release (Position 5)
Tom Groove w/ EQ (Threshold 0, Ratio 3:01, Attack 250): Dry
Tom Groove w/ EQ (Threshold 0, Ratio 3:01, Attack 250): Release 1.5
Tom Groove w/ EQ (Threshold 0, Ratio 3:01, Attack 250): 33609 Release
Tom Groove w/ EQ (Threshold 0, Ratio 3:01, Attack 250): Compex Release
Tom Groove w/ EQ (Threshold 0, Ratio 3:01, Attack 250): Fairchild Release (Position 5)
Tambourine w/ EQ (Threshold -2, Ratio 3:01, Attack 250): Dry
Tambourine w/ EQ (Threshold -2, Ratio 3:01, Attack 250): Release .5
Tambourine w/ EQ (Threshold -2, Ratio 3:01, Attack 250): 33609 Release
Tambourine w/ EQ (Threshold -2, Ratio 3:01, Attack 250): Compex Release
Tambourine w/ EQ (Threshold -2, Ratio 3:01, Attack 250): Fairchild Release (Position 5)
Shaker w/ EQ (Threshold -4, Ratio 3:01, Attack 250): Dry
Shaker w/ EQ (Threshold -4, Ratio 3:01, Attack 250): Release .5
Shaker w/ EQ (Threshold -4, Ratio 3:01, Attack 250): 33609 Release
Shaker w/ EQ (Threshold -4, Ratio 3:01, Attack 250): Compex Release
Shaker w/ EQ (Threshold -4, Ratio 3:01, Attack 250): Fairchild Release (Position 5)
Daking FET II - Guitars
Acoustic Guitar (Threshold 0, Ratio 3:01, Attack 500): Dry
Acoustic Guitar (Threshold 0, Ratio 3:01, Attack 500): Release 1.0
Acoustic Guitar (Threshold 0, Ratio 3:01, Attack 500): 33609 Release
Acoustic Guitar (Threshold 0, Ratio 3:01, Attack 500): Compex Release
Acoustic Guitar (Threshold 0, Ratio 3:01, Attack 500): Fairchild Release (Position 5)
Electric Guitar (Threshold 2, Ratio 3:01, Attack 500): Dry
Electric Guitar (Threshold 2, Ratio 3:01, Attack 500): Release 1.0
Electric Guitar (Threshold 2, Ratio 3:01, Attack 500): 33609 Release
Electric Guitar (Threshold 2, Ratio 3:01, Attack 500): Compex Release
Electric Guitar (Threshold 2, Ratio 3:01, Attack 500): Fairchild Release (Position 5)
Electric Guitar Solo (Threshold 2, Ratio 3:01, Attack 500): Dry
Electric Guitar Solo (Threshold 2, Ratio 3:01, Attack 500): Release 1.0
Electric Guitar Solo (Threshold 2, Ratio 3:01, Attack 500): 33609 Release
Electric Guitar Solo (Threshold 2, Ratio 3:01, Attack 500): Compex Release
Electric Guitar Solo (Threshold 2, Ratio 3:01, Attack 500): Fairchild Release (Position 5)
Daking FET II - Basses
Electric Bass (Threshold 4, Ratio 3:01, Attack 1): Dry
Electric Bass (Threshold 4, Ratio 3:01, Attack 1): Release 1.5
Electric Bass (Threshold 4, Ratio 3:01, Attack 1): 33609 Release
Electric Bass (Threshold 4, Ratio 3:01, Attack 1): Compex Release
Electric Bass (Threshold 4, Ratio 3:01, Attack 1): Fairchild Release (Position 5)
Upright Bass (Threshold 2, Ratio 3:01, Attack 1): Dry
Upright Bass (Threshold 2, Ratio 3:01, Attack 1): Release 1.0
Upright Bass (Threshold 2, Ratio 3:01, Attack 1): 33609 Release
Upright Bass (Threshold 2, Ratio 3:01, Attack 1): Compex Release
Upright Bass (Threshold 2, Ratio 3:01, Attack 1): Fairchild Release (Position 5)
Daking FET II - Keyboards
Piano (Threshold 4, Ratio 3:01, Attack 2): Dry
Piano (Threshold 4, Ratio 3:01, Attack 2): Release 1.5
Piano (Threshold 4, Ratio 3:01, Attack 2): 33609 Release
Piano (Threshold 4, Ratio 3:01, Attack 2): Compex Release
Piano (Threshold 4, Ratio 3:01, Attack 2): Fairchild Release (Position 5)
Rhodes (Threshold -2, Ratio 3:01, Attack 1): Dry
Rhodes (Threshold -2, Ratio 3:01, Attack 1): Release 1.0
Rhodes (Threshold -2, Ratio 3:01, Attack 1): 33609 Release
Rhodes (Threshold -2, Ratio 3:01, Attack 1): Compex Release
Rhodes (Threshold -2, Ratio 3:01, Attack 1): Fairchild Release (Position 5)
Hammond Organ (Threshold -2, Ratio 3:01, Attack 1): Dry
Hammond Organ (Threshold -2, Ratio 3:01, Attack 1): Release 1.0
Hammond Organ (Threshold -2, Ratio 3:01, Attack 1): 33609 Release
Hammond Organ (Threshold -2, Ratio 3:01, Attack 1): Compex Release
Hammond Organ (Threshold -2, Ratio 3:01, Attack 1): Fairchild Release (Position 5)
Daking FET II - Vocals
Source File is the EQed file (Threshold: 0, Ratio: 3:1, Attack: 1): Dry
Source File is the EQed file (Threshold: 0, Ratio: 3:1, Attack: 1): Release 1.0
Source File is the EQed file (Threshold: 0, Ratio: 3:1, Attack: 1): 33609 Release
Source File is the EQed file (Threshold: 0, Ratio: 3:1, Attack: 1): Compex Release
Source File is the EQed file (Threshold: 0, Ratio: 3:1, Attack: 1): Fairchild Release (Position 5)
Daking FET III - Drums and Percussion
Kick w/ EQ
Snare w/ EQ
Tom 1 w/ EQ
Tom 2 w/ EQ
Tom Groove w/ EQ
Tambourine w/ EQ
Shaker w/ EQ
Daking FET III - More Drums
Dry
Compressed
Daking FET III - Guitars
Acoustic Guitar
Electric Guitar
Electric Guitar Solo
Daking FET III - Basses
Electric Bass
Electric Bass
Daking FET III - Keyboards
Piano
Rhodes
Hammond Organ
Daking FET III - Strings
Dry
Compressed
Daking FET III - Vocal
Vocal
Daking FET III - Choir
Dry
Compressed
Daking FET III - 2-Buss Mix
Dry
Compressed
Daking FET III - Electronic Loop
Dry
Compressed
Tube-Tech
Pro tools Sessions with MP1A, CL1B, and PE1C
"Uh-Oh" All Tube-Tech mix
"Something is the Matter" All Tube-Tech mix
Individual .wav files through MP1A
Uh-Oh Drums Kick (Beta52A)
Uh-Oh Drums Snare (SM57)
Uh-Oh Drums Overheads (AT4050)
Uh-Oh Bass
Uh-Oh Guitar 1 (MD421)
Uh-Oh Guitar 2 (MD421)
Uh-Oh Guitar 3 (MD421)
Uh-Oh Guitar 4 (MD421)
Uh-Oh Synth 1
Uh-Oh Synth 2
Vocal (Bock 251)
Something is the Matter Drums Kick (RE20)
Something is the Matter Drums Snare (KM84)
Something is the Matter Drums Snare Overheads (SF12s)
Something is the Matter Upright Bass (RE20)
Something is the Matter Guitar (R84)
Something is the Matter Piano (KSM44s)
Something is the Matter Vocal (Bock 507)
Individual .wav files compressed with CL1B
Uh-Oh Drums Kick (Beta52A)
Uh-Oh Drums Snare (SM57)
Uh-Oh Drums Overheads (AT4050)
Uh-Oh Bass (direct)
Uh-Oh Guitar 1 (MD421)
Uh-Oh Guitar 2 (MD421)
Uh-Oh Synth 2
Uh-Oh Vocal (Bock 251)
Something is the Matter Drums Kick (RE20)
Something is the Matter Drums Snare (KM84)
Something is the Matter Drums Overheads (SF12s)
Something is the Matter Upright Bass (RE20)
Something is the Matter Guitar (R84)
Something is the Matter Piano KSM44s)
Something is the Matter Vocal (Bock 507)
Individual .wav files equalized with the EQ1A
Uh-Oh Drums Kick (Beta52A)
Uh-Oh Drums Snare (SM57)
Uh-Oh Drums Overheads (AT4050)
Uh-Oh Bass (direct)
Uh-Oh Guitar 1(MD421)
Uh-Oh Guitar 2 (MD421)
Uh-Oh Synth 2
Uh-Oh Vocal (Bock 251)
Something is the Matter Drums Kick (RE20)
Something is the Matter Drums Snare (KM84)
Something is the Matter Drums Overheads (SF12s)
Something is the Matter Upright Bass (RE20)
Something is the Matter Guitar (R84)
Something is the Matter Piano (KSM44s)
Something is the Matter Vocal (Bock 507)