Telefunken Diamond Series ELA M 260
Prior to 1959, TELEFUNKEN GmbH distributed Neumann GmbH microphones throughout the world. When Neumann GmbH decided to take their distribution direct, TELEFUNKEN GmbH commissioned Austrian company AKG Acoustics GmbH to produce a series of 5 microphones. This series of microphones was comprised of the famous ELA M 251, the ELA M 250, the stereo ELA M 270, and two small capsule microphones, the ELA M 260 and the ELA M 261.
TELEFUNKEN Elektroakustik is pleased to offer its first small diaphragm tube condenser, the ELA M 260. While not a historically accurate reproduction of the original ELA M 260 like the Diamond Series microphones, TELEFUNKEN Elektroakustik’s version of the ELA M 260 is still built with the same attention to detail and level of quality that would be expected from a TELEFUNKEN Elektroakustik microphone.
One of the best recording tools for acoustic and classical music, the ELA M 260 system features a new circuit design based around a New Old Stock (NOS) EF-732 / 5840W vacuum tube and a custom output transformer that is wound to exacting specification in the United States. The combination of these features yields a small diaphragm microphone that is unique while also bearing the qualities of the vintage microphones that it was based upon.
In use, the ELA M 260 has plenty of tone with excellent detail and clarity. It captures sources with a natural presence, making it a fantastic tool for recording acoustic instruments of all types. Violin, cello, upright bass, drum overheads, percussion, woodwinds, saxophones, strings, and especially acoustic guitar all shine through the ELA M 260. Also, despite its size, it has also served well on vocal applications. Its unique tonal character is very well suited for a myriad of applications, both traditional and not.
All ELA M 260 system packages are supplied with a set of three interchangeable capsules: the TK60 cardioid, TK61 omni, andTK62 hyper-cardioid. With all three capsules the user can have the flexibility to record their source material in any way they wish. Each system also includes an M960 power supply, M801 25′ dual-shielded TX-7 tube microphone cable, M761 elastic shock mount, wooden microphone box and a dedicated power supply.
|Type||Pressure Gradient Condenser|
|Capsule||TK60, TK61, TK62 - 15 mm Edge Terminated Diaphragm|
|Transformer||Custom Wound Telefunken T60|
|Polar Pattern||Cardioid, Omindirectional, and Hypercardioid (Interchangeable Capsules)|
|Frequency Range||20 Hz - 20 kHz, ± 3 dB|
|Sensitivity||16.5 mV/Pa ± 1 dB|
|THD at 1kHz at 1Pa (Amplifier)||< 0.15%|
|Output Impedance||200 Ω|
|Maximum SPL (for 1% THD)||135 dB|
|S/N Ratio||83 dBA|
|Self Noise (Amplifier)||11 dBA|
|Dimensions||140 mm L x 21 mm Dia.|
|Current Draw from Mains||55 mA|
|Power Supply||M 960 - 7 Pin Female XLR Input, 3 Pin Male XLR Output|
|Cable||M 860R - 25 ft Accusound TX-7 Cable, Right Angle 7 Pin Female XLR, 7 Pin Male XLR|
|Shockmount||M 961 - Suspended Elastic Mount|
|Flight Case||HC60 - Hard Shell Protective Case (not included), FC60S for Stereo Set, FC60T for Tri-Mono Set|