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"The Bock 507 easily rivals the ELAM and Brauner," concluded Vig. "Of course, you choose a mic to create a certain vibe within the larger context of a recording, and the ELAM and Brauner are certainly going to remain on the front line. But the Bock has given me another option for a go-to vocal mic. David Bock has made an incredible sounding microphone. The only question now is... should I buy a second one? It did so well on individual instruments that I'd love to hear a piano with a pair of 507s... or a stereo pair for room mics on drums. That would be amazing!"

02/19/10
CONGRATULATIONS TO GRAMMY PRODUCERS AND ENGINEERS
USING TRANSAUDIO GEAR

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Latest Events

08/24/09

The Audio Underground presents an all day FREE seminar at the Village Studios in Los Angeles August 30th from 10am-6pm

08/10/09

The 127th AES show will be held at the Jacob K. Javits Convention Center in New York City October 9-12, 2009.

 

02/24/09
Hall 5.1, Stand D97
01/16/09

U.S. PRICES ON DRAWMER GEAR REDUCED 25%

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New for NAMM-- Tonelux TILT

12/21/09

LAS VEGAS, NEVADA - DECEMBER 2009: Tonelux rack-mounted gear, which is exclusively distributed worldwide by TransAudio Group, will introduce its new TILT eight-channel tone control at the NAMM Show in Anaheim, California in January 2010. The innovative TILT control, designed by Tonelux founder Paul Wolff, rebalances a channel's high- and low-frequency content via a single knob, and was first featured on the company's MP1a discrete mic preamp module.

Centered on approximately 700 Hz, the TILT control knob boosts high frequencies from 0 dB to 6 dB while simultaneously cutting low frequencies by the same amount when turned fully to the right. When turned to the left, low frequencies are boosted by up to 6 dB while high frequencies are similarly cut. This allows a user to conveniently alter the EQ of a track to better fit into the mix using a single rotary control.

The TILT effectively alters everything from bass guitars to cymbals, and is perfect for vocals, warming up or cooling off tracks, and as the final stage in a live personal monitoring system when the overall mix needs to be changed slightly to compensate for ear fatigue.

Introduced as a standalone, multi-channel unit at the request of Tonelux customers following their experiences with the single-channel MP1a module, each of the TILT's eight channels features a rotary TILT control knob with associated in/out and polarity reverse switches, plus separate LED indication of signal presence and clipping. Inputs and outputs for channels one and two are accessed via XLR connectors, with a D-Sub multi-pin connector offering I/O access for all eight channels.

The new Tonelux TILT eight-channel tone control unit is intended as the first of a new range from the company. It is planned that line will also include a dual channel microphone preamplifier and a dual compressor, as well as a channel strip. Each of the models in the new range will be standardized on the robust steel chassis and single RU form factor of the TILT, which incorporates an internal power supply.

Noted Brad Lunde, president of TransAudio Group, "Paul Wolff understands what recording engineers want and then has the smarts to engineer the gear to fit the need. I can't think of anyone else in the industry who can grasp and deliver the way Paul can. This is a standout product for Tonelux."