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03/03/10
SOUNDFIELD SPS200 goes "native" in surround:
German SoundField Distributor Supplies Microphone For Cultural Audio Installation
03/02/10
ATC Monitors help Michael Bishop earn his ninth Grammy Award for "Transmigration"
02/25/10

"The Bock 507 easily rivals the ELAM and Brauner," concluded Vig. "Of course, you choose a mic to create a certain vibe within the larger context of a recording, and the ELAM and Brauner are certainly going to remain on the front line. But the Bock has given me another option for a go-to vocal mic. David Bock has made an incredible sounding microphone. The only question now is... should I buy a second one? It did so well on individual instruments that I'd love to hear a piano with a pair of 507s... or a stereo pair for room mics on drums. That would be amazing!"

02/19/10
CONGRATULATIONS TO GRAMMY PRODUCERS AND ENGINEERS
USING TRANSAUDIO GEAR

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Latest Events

08/24/09

The Audio Underground presents an all day FREE seminar at the Village Studios in Los Angeles August 30th from 10am-6pm

08/10/09

The 127th AES show will be held at the Jacob K. Javits Convention Center in New York City October 9-12, 2009.

 

02/24/09
Hall 5.1, Stand D97
01/16/09

U.S. PRICES ON DRAWMER GEAR REDUCED 25%

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TUBE-TECH GEAR CHOSEN FOR PRESTIGIOUS RECORDING ARTS STUDIO

03/04/09

CHULA VISTA, CALIFORNIA MARCH 2009: Southwestern College, located between San Diego and the international border with Mexico, recently unveiled a brand new recording arts studio as part of its commercial music program. Costing $6.5 million, the two-building complex is one of the most technically-advanced media facilities in the nation's community college system, and features a cross-section of high-end recording equipment in the main studio, including a pair each of TUBE-TECH's CL 1B opto compressors and SMC 2B stereo multi-band compressors.

 

The facilities are designed to give students a real world education in analog and digital audio equipment, according to Arts & Communications professor James 'Jay' Henry, who has been a recording engineer and studio manager for 35 years, and took over the program about ten years ago. "The whole philosophy was to build a real recording studio that would actually draw professional engineers and producers to come and work on projects. Students can observe, interact and learn but, more importantly, when they go into the real world, they're not going to be overawed by the equipment they see in a modern studio."

 

Henry, who was first introduced to TUBE-TECH by Stevie Wonder while working with him on a charity record project, continues, "TUBE-TECH's stereo multi-band compressor is my favorite box. I use those as program compressors, instead of the buss compressor on the SSL console, simply because it adds a different color. What I also really like about the TUBE-TECH is that it adds inherent warmth. We have an SSL Duality and it's fabulous to throw that across the stereo buss. It just warms things up."

 

Henry shares that he recently re-equalized and re-mastered a project for a country music client using the SMC 2B. "The client called me and said, 'The remix is amazing. The bass is amazing!' I said, wait a minute. You sent me a stereo mix. All I did was re-EQ and dynamically balance it. It's multi-band compression, thanks to my analog friends there in Denmark," he says.