What exactly
is TransAudio Group and what do we
do?
TransAudio Group
is a Distributor of professional audio to
the
American market for the recording,
live sound, broadcast and sound contracting
markets.
We are a wholesale business to the "trade"
(stores).
In
specific, we are a:
For a deeper picture of what the above entails, here's some detail:
1)
TransAudio as a Wholesale Supplier.
We import and make available locally unique
brands manufactured outside the US.
The manufacturer's products in most cases
would not be available to you or stores without
us. Our brands, our companies come from all
over the world (hence the name TransAudio Group),
including Germany, England and of course,
the US. Anywhere that something special is
going on is an occasion for a personal visit
from TransAudio Group.
As part of our responsibility
to our customers, we must not get them involved
in product that is not built well, not supported
well, or isn't all it is purported to be.
As a result, an important function of TransAudio Group
is the evaluation of whether the prospective
manufacturer is for real, ready to support
the US market and its products properly. Almost
all manufacturers want to sell in America,
the largest pro audio market in the world.
Some will tell us almost anything to "get
a foot in the door of the US". Our job
is to be very selective about whom we get
involved with. We evaluate the company
and the products top to bottom, because there's
a raft of trouble for users if the manufacturer
is not able to address special problems that
occur for owners as a matter of use. If they
pass our initial evaluation, we can move on
to the next evaluation: whether their products
are unique enough to warrant American interest.
This is perhaps the most important step, for
our products must not only be supported
long term by the manufacturer, they must also
be a unique and outstanding value for your
money. This is a high bar to hit and most
can't or don't make it. Many legitimate good
quality European companies are not in the
US because there are American products just
like it, they charge too much, or they can
not provide the kind of support expected by
American customers. If they do not meet these
qualifications, we put them on the "maybe
tomorrow" list and keep an eye on them, as
it is our obligation to "offer only the
best of the best manufacturers."
This function is critical to building
long term trust between TransAudio
Group, the dealer and you.
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2)TransAudio Group
as a Dealer Direct to Public.
Sometimes we run into
situations where selling direct to
you is the best way to deliver a
bargain. Sometimes the exchange
rate between the US and England or
Germany gets so high that offering
it direct is the only practical
solution to keep the price within
our atmosphere. Sometimes dealers
don’t want to sell something
that has very limited customers,
because carrying inventory on items
that sell only occasionally is expensive.
Sometimes the product is so specialized
as to apply to only a few people
with special knowledge. So we
created Las
Vegas Pro Audio
as a place to offer the different
and exotic, unusual or limited,
gear so unique it is not usually
sold by dealers. You will find the
gear on Las
Vegas Pro Audio is
priced at wholesale level, direct
to you from the manufacturer. You
might even see B Stock up there,
or a used piece of gear up there
that a friend of ours is selling
or we know is well cared for. Demo’s
of gear ARE offered, but you need
to call us to make special
arrangements.
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3)
TransAudio Group as a support organization
to the public.
If you buy high performance gear,
you want support. You might need a
general question answered, a technical
issue addressed, a problem solved,
"when" you can get something or how
to get something serviced. We are
the "front office" of a manufacturer
providing a place to call for its
customers. We all know how frustrating
it is to get something solved when
there's a problem or an issue that
you can't solve yourself. You need
a friend inside the factory to get
it done, and get it done soon. We
are that friend. We can make the manufacturer
aware of your specific problem, and
get someone inside to deal with it.
4)
TransAudio Group as a product/market consultant.
In this role, we are in every sense
your eyes, ears and voices
to the manufacturer. Our opinion
is that most of the information needed
to make a product better or a company
better comes from the customers themselves.
In its simplest form, we put information
on the manufacturer's doorstep that
you would tell them if you could.
We take customer feedback to the design
engineers. We rewrite literature based
on information you want to know. We
ask for feature changes when you demand
it. We work directly with inner company
employees to put the right information
in front of them. We are often the
source of a product design or idea
that eventually makes it to market-sometimes
even good enough ideas to win Tec
Awards! Beyond product, other issues
that impact you must be addressed
to have a "complete" product. Who
is in charge of shipping, who does
QC, who handles repairs and who writes
the owner's manual? We have to know
because all of the folks impact the
product you buy. If something goes
wrong out there, we have to solve
the problem regardless of who "caused"
it. Through consulting, we steer
factories to improve their products,
their operation and the flow of information
so important to you when you are
considering spending thousands on
a new mic or preamp. We are an interactive
customer representative that looks
at what is going on, is aware of all
the assets and resources of the company,
and provides educated assistance in
decision making and product strategy.
We might be designing a new product
one week and then training end users
on a product offered for years the
next. It's the fun part!
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5)
TransAudio Group as a conduit of information.
The information flow becomes more
and more important to users and
manufacturers as you go up the ladder
in price and quality. We are asked
for an amazing variety of information,
from "how is this different" to "explain
this feature please" to "what is this
product's best attribute". We must
be resident experts on all our products.
Someone who purchases an $8500 microphone
occasionally needs help without hassle
right now, and the manufacturer
of such an item wants to know instantly
if there is something flawed with
it. If a manufacturer is considering
building a new high performance product,
they better darn well know what the
benchmark is and some experts who
use the gear daily to evaluate prototypes.
A question deserves an answer,
advice must be accurate and informed
to all three of our customers, manufacturers,
stores and you. We are your trusted
information source.
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6)
TransAudio Group as a support organization
to the manufacturer.
The High-End companies we specialize
in are usually smaller in sales, smaller
in revenue and smaller in staff than
the famous name big audio companies.
A "labor of love" for their
owner/inventor/operators, these high-end
companies work on small profits and
typically reinvest all the profit
they earn to build audio that only
a select few will appreciate. These
high-end manufacturers would rather
have better sounding gear than more
employees. They would have to
raise prices significantly to provide
all the services that would
equal a big company. So they come
to TransAudio Group, for we provide the
services (to you and your local dealers)
equivalent to those provided "in-house"
by the big US based manufacturers.
In grouping several specialty manufacturers
together, we can offer them all "big
company" services they would otherwise
be missing. Services such as literature
writing, ad copy, training materials,
new product development, warranty
repair, PR, trade shows are but some
of the things that we provide to our
manufacturers. We supply the additional
services to the specialty manufacturer
that enable them to offer a more complete
product.
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The end result
of everything we do enables:
- local availability
of very unique specialty items
- pre-selected
for quality and performance
- proper support
- someone to
call if you have a problem
- the lowest
possible prices.
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How do we select our product
lines?
We get offered new products nearly ever
week. Some of the people behind those companies
are very nice people, people you want to help.
We could carry 20+ lines if we wanted to.
Everyone wants to sell in America, for this
is the largest pro audio market in the world.
We turn down 90% of what is offered, because
we must evaluate these new companies on a
non-emotional basis, on a business basis.
Does it fit with our company philosophy? Taking
on a new manufacturer is a very big deal for
us. This "who to work with" decision is a
combined decision between meeting our business
criteria ((listed below) and our responsibility
to you to select only those companies that
are truly a cut above. That means we have
to pass on a company that is just "average",
even though they may be very good. Our customers
must have quality, innovation and value, superior
support and a long term commitment from the
manufacturer to their product users.
Our business criteria for
selecting a brand to represent is:
- Is a product (line) unique compared
to everything else available?
(sound, features, function, etc)
- Is the product manufactured by a stable,
well run company?
(a messy cheap manufacturing facility
is usually associated with messy cheap
internal construction)
- Is the product a good value for the
end user?
(price is a necessary consideration to
anyone with a budget)
- Is the product reliable?
(warranty repair, parts availability,
service information readily available,
service support at the factory)
- Are the owner(s) of the company in
it only for the money?
(we seek companies who "want to do the
right thing", have a strong sense of ethics
and are committed to pleasing customers
first-the money comes afterwards)
- Are the owner(s) willing to respond
to customers?
Are they open to changes that make a product
more useful to the market? (success is
usually a result of listening to users
and acting upon it) Have they demonstrated
superior service to customers in the past?
Are they reasonable people who understand
the details important to pro audio professionals?
- Does it fit with our other product
lines?
We can't do a good job for two companies
who sell exactly the same thing, so studying
a products unique value is essential.
When we consider a new line
for TransAudio, it's the people behind
a prospective company that is the biggest
factor. We want to know them, find out what
makes them tick, why they are in the business,
what they want for themselves out of their
work life. I usually try to stay at a prospective
manufacturer's home, for there you learn a
lot about what kind of people they really
are. It is hard to fool someone in your own
home! I usually meet two types in business:
those in it for the money and those in it
for the art.
If they are in it for the money
(you can usually tell when they start discussing
quotas instead of sound quality), RUN AWAY
fast! That is no place for us to be! People
usually find products from these types of
manufacturers as short term solutions, inexpensive
to purchase but too rapidly obsolete.
If they are in it for the art,
yet are not motivated, this to is no place
for us. Lack of support will kill a product
line from these types of people when there
is no urgent response from the factory to
users who have a problem with a clock running.
If they are in it for the art, are organized,
motivated, concerned about customers, plus
have conservative income expectations, we
want to talk. This is the type of people we
look for, the type of person who will do something
special. Invention is most often found inside
companies with driven owners, owners with
a goal that has nothing to do with money.
While all these "evaluations"
and selection criteria may seem unimportant
before you buy, they become extremely
important after you
buy, especially when the product in
question is placed in a critical situation
that demands high performance. Many
of the values in our products won't
be discovered on first listen or first
use. Some of the value in what we
do won't even be discovered until
something goes wrong (God forbid).
Clients in make-or-break situations
learn the value of selecting their
suppliers carefully. TransAudio
Group and our manufacturers must
add things you value to the
products we offer before and after
the sale.
We must make them the best buy you
ever made.
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What makes TransAudio Group different?
TransAudio is a collective personal statement
of our staff that "business" does not have
to be selfish to be successful. It can be
about serving others. Business in its
very best form exists to serve only, to contribute
something, way beyond the product it sells.
TransAudio is our vehicle to accomplish
that "something more". TransAudio Audio
must help you in a real way and do so ethically,
to achieve its real purpose.
Unfortunately, today's scale
of business forces most companies to serve
huge numbers of customers. Huge financial
rewards are available for those who seek to
build and sell "cheaper" things. For working
professionals, users who depend on their gear
to earn their keep, cheaper is definitely
not better. Better sound is their way
to maintain their edge, their advantage. These
clients want someone who can understand their
unique and personal application, to help evaluate
possible investments in new gear within their
context. These clients realize the "right
buy" is the lowest cost "buy" over time. TransAudio
has organized its business to serve these
few and do it very well. If we do our job
and find unique items that are of real value,
you will know it when you hear it. Our business
is not about twisting the truth, it's about
telling it.
Experience also makes us different,
for we combine a unique array of work experiences.
All our employees are ex-musicians. Most of
us have been a dealer and a rep with personal
experience in probably a hundred audio companies
over 25+ years. From Musician to Tascam Rep,
General Manager of a large music store to
Government Services, to National Sales Manager
[JBL Pro] to Director of Worldwide Sales and
Marketing [Aphex]. We've been involved in
the complete pro audio industry both big and
small. We are in a unique position to evaluate
a broad range of values about a product and
the company behind it. This inner information
is invaluable in selecting the genuine best
available for our product mix. This value
is then passed on to our clients, who regularly
discover that all the experience and selective
product/company evaluations have a direct
result on the quality of the sound they get.
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Who
is TransAudio Group ?
The "we" of TransAudio is,
in order of importance,
Janis:
My wife and Chief Financial Officer who really
runs the damn place. (Can I have $20 please,
honey bunch?) She was a bank manager in Illinois
and again in California, until we decided
to start a family.
Richard:
Our Sales Manager and chief miracle worker,
Richard solves those pesky problems like:
"I need it by Friday" and "where can I demo
one?" He ran a big music store in South Dakota,
was a Tascam Rep, worked for Guitar Center,
and most recently was the Technology Manager
at Mars in Ft. Lauderdale, Florida. He favorite
phrase: "We want to amaze you!"
Todd:
"Marketing and Communications." This
involves keeping the infrastucture going,
fixing computers, and communicating
with press, webmasters, and other scurrilous
individuals. He comes from 10 years experience
in the Bay Area music community, including
an 8 year stint with Leo's pro Audio and
Spitzer Music management.
Julia: My 8 year
old daughter who is the resident Graphics
Artist. She draws really pretty pictures
on the
whitboards,
plus colors in shipping boxes.
Stephanie: My 5 year
daughter who rearranges the files in the cabinets on a regular basis.
She is our chief Filing Clerk and Information
Manager. .
Brad:
Our President and marketing manager. He locks
himself in hotel rooms to write "website copy"
(in Vegas? Ya, right!) and goes to Trade Shows
all the time. Beginning as a gear nut musician,
Brad became Vice President of the largest
pro audio rep firm in Chicago (EV, Mackie,
Crown, dbx), then National Sales Manager of
JBL Pro, then Director of Sales and Marketing
Worldwide for Aphex, to private consultant
for the audio community.
Jackie and Mel: Janis's parents whom
watch our kids several days a week so Janis
can come to the office. We couldn't do what
we do without them.
Ken Giles of Drawmer UK: Our Company
Mentor and a lifelong business friend, he
serves on our Advisory Board, educating us
in the ways of running your own audio business.
He is the man behind Drawmer, a company who
has made its mark while maintaining extremely
high ethical standards. What a great guy!
Laila Jantunen of SoundField UK: The
ex-European Sales Manager for Genelec, Laila
serves on our Advisory Board to catch the
stuff Ken misses. Laila is another European
audio veteran, and knows many of the companies
and folks that we work with.
Our Company History
In July of 1996, I founded
Lunde Consulting, an outsource marketing
and sales consultant to the manufacturing
community. We did some interesting projects,
from market research for Yamaha to product
research for Fostex to strategic planning
for Electro Voice.
In May of 1997 Julia was
born, and suddenly the glamorous world
of consulting lost its sheen every time I
had to get on an airplane and leave home.
I wanted to find a way to stay home and still
earn a living.
In July 1997, we started
TransAudio out of our home in Thousand Oaks
California. It began when Drawmer
and SoundField
(both UK family run manufacturers) hired
Lunde Consulting in May of that year to
find them a US distributor. We couldn't find the right
one for them. Ken of Drawmer convinced us
to become the distributors ourselves. He
said he wanted to help create something
new instead of just hire some unknown company. He took
a big chance on us-all we had was a telephone,
a fax machine, a computer and a belief that
we "could do it". We owe him our existence
and find it a testament to the ideal that
there are still great people out
there doing great things in business.
In the fall of 1997,
we added Brauner
from Germany, an owner run, hand manufacturer
of studio mics that sound unlike anything
else I had ever heard. I traveled to Germany
to meet Dirk after Musikmesse and rode back
with him back to his "tube farm" (his farmhouse
with some acreage) about an hour north of
Duesseldorf. It was like finding a long lost
brother and we have been close ever since,
sharing failures and successes. When I talk
to people that own a Brauner, their response
is always spoken in reverence, awe for the
product. People "put them up" in the most
critical applications possible, against the
best of the best, swearing the Brauner gave
them something brand new. Bruce Swedien was
one of the first Brauner supporters, and Bill
Schnee's comments helped me understand how
the mic fit in world of vintage and new microphones.
In summer of 1998 we hire
Marla, a friend of the family, to help
us part time. She was going to school and
needed a part time income. She helped us tremendously,
dealing with paper work and the hard stuff
we somehow never had time to do.
In late summer of 1998 API
came along, after I got to know Paul Wolf,
the guy behind the company. He was our very
first US manufacturer. Paul is a very creative
outspoken guy, bubbling with ideas, driven
to the max. He came to me because he believed
we would "do it the right way" instead of
take the easy money and screw up his company
in the process. One thing about API, people
sure are passionate about it! I've never had
a product that people universally say "this
is the stuff you gotta have to make great
recordings". Its wonderful representing API,
because everything they make sounds unlike
anything else you've ever used.
In early 1998, we hired our
first regular employee, Geronimo "G" Cebrero.
G helped us through a tough period when we
were still losing money but desperately needed
help to operate the business. We had to deal
with a 2 year old, a pregnant CFO and a business
at the same time. Whoa! I'm glad we are past
that!
In October of 1999 Stephanie
was born and the home office idea went
out the window over night. I rented an office
the next day.
In September of 2000 we moved
to Las Vegas, as grandma and grandpa lived
there and Janis and I needed help with the
kids to devote sufficient time to the business.
Not being daycare types, grandma and grandpa
sounded real good to us! We lost G, and moving
day was a sad day.
In October of 2000 we hired
Richard Bowman as Sales Manager. We moved
him up from Miami Florida, where he worked
for Mars. Richard and I knew each other through
mutual friends, and he came to us through
our search for a key person who valued ethics
highly. We hired the right guy, and he has
been invaluable to our customers, Janis and
I. If you call the office, he will most likely
answer the phone.
In November
of 2003 we hired Todd Peterson to
help with the marketing and information
flow. We had added several lines: ATC,
Daking, GML, Soundelux, etc... and also
planned on making a bigger presence for
our direct sales lines. Todd added that
extra person with experience in music,
the music industry, and in streamlining
infrastructure to handle the needs of
a growing company.
In
January 2005 we launched Las Vegas
Pro Audio as
a high presence conduit directly to the
end user. With the addition of Weiss,
ADT, and more to come, Las Vegas Pro
Audio is fast becoming the first stop
for audio professionals.
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Where do I find the products
on this site locally?
That's usually a simple issue of calling us
so we can direct you to the nearest store
that carries our products.
TransAudio Audio, 702-365-5155. Hours 7AM
to 4PM West Coast (Pacific) Time.
As much as we screen our product
lines, we also screen potential dealers. Our
idea of a great dealer is one that adds something
valuable to our product, such as knowledge,
demos and after sale service. We want the
"best of the best" dealer network across the
entire US. When we make a recommendation to
call "Dealer X" in your area, we want you
to be impressed and pleased with the level
of service you receive. Its critical in our
view to have a dealer.that understands the
difference between our gear and the "price
point/mass market" gear. Can they explain
the difference between a 1066 and a Drawmer
DL241? Can they provide an "in studio" demo
of a Soundelux microphone? Can a store explain
why an $8500 Brauner microphone is a bargain
when compared to vintage mics?, We need a
store that knows the difference between an
ADAT and a Studer, between a Manley Vari-Mu
and a Distressor, between a U47 and C12. Without
the right level of knowledge on the part of
the dealer, products can be misunderstood
and sold into the wrong application, leaving
the user disappointed and frustrated.
If a local dealer tells you
he does not carry a product of ours because
"its no good", walk straight out the door.
That's not the truth! The real reason they
do not have it is usually we won't sell them.
We are very selective about who we sell to,
choosing only the best store in the area for
technical expertise, advice, familiarity with
similar brands of gear and a reputation for
quality and customer service. No one wants
to admit that they can't qualify to be a dealer
for us, so they tell you that the product
is not up to snuff instead. Its their way
of getting you to change your mind. Don't
fall for it. Our products are a little harder
to find than most things, but they are worth
the extra effort.
Call us, let us help you find
the right dealer for you. If you want low
prices, tell us. If you want information and
advise, tell us. We know who does what. There
are awesome dealers out there who have a wealth
of experience to share, and will do so free
of charge to their customers. As we said on
the opening page, the right buy is not always
the lowest cost item, but the right item for
you in your unique situation. Email us directly
if you don't know where to go. We will refer
you to the nearest dealer authorized to sell
our products and tell you about them.
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