TransAudio
Group
7320
Smoke Ranch Road Suite G
Las Vegas, NV.
USA 89128
Tel:
702-365-5155
Fax: 702-365-5145
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...We
have three customers, the factory, the store, and ultimately You.
...Our "job description" in its most general
form is
"we do everything the factory would do"...
In
specific, we are a:
For
a deeper picture of what the above entails, here's some detail.
1)
TransAudio as a Wholesale Supplier.
We import and make available locally unique brands manufactured
outside the US.
The manufacturer's products in most cases would not be available
to you or stores without us. Our brands, our companies come from
all over the world (hence the name TransAudio), including
Germany, England and of course, the US. Anywhere that something
special is going on is an occasion for a personal visit from TransAudio.
As
part of our responsibility to our customers, we must not get them
involved in product that is not built well, not supported well,
or isn't all it is purported to be. As a result, an important
function of TransAudio is the evaluation of whether the prospective
manufacturer is for real, ready to support the US market and
its products properly. Almost all manufacturers want to
sell in America, the largest pro audio market in the world. Some
will tell us almost anything to "get a foot in the door of the
US". Our job is to be very selective about whom we get involved
with. We evaluate the company and the products top to bottom,
because there's a raft of trouble for users if the manufacturer
is not able to address special problems that occur for owners
as a matter of use. If they pass our initial evaluation, we can
move on to the next evaluation: whether their products are unique
enough to warrant American interest. This is perhaps the most
important step, for our products must not only be supported
long term by the manufacturer, they must also be a unique and
outstanding value for your money. This is a high bar to hit
and most can't or don't make it. Many legitimate good quality
European companies are not in the US because there are American
products just like it, they charge too much, or they can not
provide the kind of support expected by American customers. If they do
not meet these qualifications, we put them on the "maybe tomorrow" list and
keep an eye on them, as it is our obligation to "offer
only the best of the best manufacturers."
This function is critical to building long term trust between
TransAudio, the dealer and you.
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2)
TransAudio as a support organization to the public.
If you buy high performance gear, you want support. You might
need a general question answered, a technical issue addressed,
a problem solved, or need to know "when" you can get something or how to
get something serviced. We are the "front office" of a manufacturer providing
a place to call for its customers. We all know how frustrating
it is to get something solved when there's a problem or an issue
that you can't solve yourself. You need a friend inside the
factory to get it done, and get it done soon. We are that friend.
We can make the manufacturer aware of your specific problem,
and get someone inside to deal with it.
3)
TransAudio as a product/market consultant.
In this role, we are in every sense your eyes, ears
and voices to the manufacturer. Our opinion is that most of
the information needed to make a product better or a company better
comes from the customers themselves. In its simplest form, we
put information on the manufacturer's doorstep that you would
tell them if you could. We take customer feedback to the design
engineers. We rewrite literature based on information you want
to know. We ask for feature changes when you demand it. We work
directly with inner company employees to put the right information
in front of them. We are often the source of a product design
or idea that eventually makes it to market-sometimes even good
enough ideas to win Tec Awards! Beyond product, other issues that
impact you must be addressed to have a "complete" product. Who
is in charge of shipping, who does QC, who handles repairs and
who writes the owner's manual? We have to know because all of
the folks impact the product you buy. If something goes wrong
out there, we have to solve the problem regardless of who "caused" it. Through consulting, we steer factories to improve their
products, their operation and the flow of information so important
to you when you are considering spending thousands on a new
mic or preamp. We are an interactive customer representative that
looks at what is going on, is aware of all the assets and resources
of the company, and provides educated assistance in decision making
and product strategy. We might be designing a new product one
week and then training end users on a product offered for years
the next. It's the fun part!
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4) TransAudio as a
conduit of information.
The information flow becomes more and more important to users
and manufacturers as you go up the ladder in price and
quality. We are asked for an amazing variety of information,
from "how is this different" to "explain this feature please" to "what
is this product's best attribute". We must be resident experts
on all our products. Someone who purchases an $8500 microphone
occasionally needs help without hassle right now, and the
manufacturer of such an item wants to know instantly if there
is something flawed with it. If a manufacturer is considering
building a new high performance product, they better darn well
know what the benchmark is and some experts who use the gear daily
to evaluate prototypes. A question deserves an answer, advice
must be accurate and informed to all three of our customers,
manufacturers, stores and you. We are your trusted information
source.
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5) TransAudio
as a support organization to the manufacturer.
The High-End companies we specialize in are usually smaller in
sales, smaller in revenue and smaller in staff than the famous
name big audio companies. A "labor of love" for their owner/inventor/operators,
these high-end companies work on small profits and typically reinvest
all the profit they earn to build audio that only a select few
will appreciate. These high-end manufacturers would rather
have better sounding gear than more employees. They would
have to raise prices significantly to provide all the services
that would equal a big company. So they come to TransAudio, for
we provide the services (to you and your local dealers) equivalent
to those provided "in-house" by the big US based manufacturers. In grouping
several specialty manufacturers together, we can offer them all "big company" services they would otherwise
be missing. Services such as literature writing, ad copy, training
materials, new product development, warranty repair, PR, trade
shows are but some of the things that we provide to our manufacturers.
We supply the additional services to the specialty manufacturer
that enable them to offer a more complete product.
The
end result of everything we do enables:
- local
availability of very unique specialty items
- pre-selected
for quality and performance
- proper
support
- someone
to call if you have a problem
- the
lowest possible prices.
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How
do we select our product lines?
We get offered new products nearly ever week. Some of the
people behind those companies are very nice people, people you
want to help. We could carry 20+ lines if we wanted to. Everyone
wants to sell in America, for this is the largest pro audio market
in the world. We turn down 90% of what is offered, because we
must evaluate these new companies on a non-emotional basis, on
a business basis. Does it fit with our company philosophy? Taking
on a new manufacturer is a very big deal for us. This "who to
work with" decision is a combined decision between meeting our
business criteria ((listed below) and our responsibility to you
to select only those companies that are truly a cut above. That
means we have to pass on a company that is just "average", even
though they may be very good. Our customers must have quality,
innovation and value, superior support and a long term commitment
from the manufacturer to their product users.
Our
business criteria for selecting a brand to represent is:
- Is
a product (line) unique compared to everything else available?
(sound, features, function, etc)
- Is the
product manufactured by a stable, well run company?
(a messy cheap manufacturing facility is usually associated
with messy cheap internal construction)
- Is the
product a good value for the end user?
(price is a necessary consideration to anyone with a budget)
- Is the
product reliable?
(warranty repair, parts availability, service information
readily available, service support at the factory)
- Are the
owner(s) of the company in it only for the money?
(we seek companies who "want to do the right thing", have
a strong sense of ethics and are committed to pleasing customers
first-the money comes afterwards)
- Are the
owner(s) willing to respond to customers?
Are they open to changes that make a product more useful to
the market? (success is usually a result of listening to users
and acting upon it) Have they demonstrated superior service
to customers in the past? Are they reasonable people who understand
the details important to pro audio professionals?
- Does
it fit with our other product lines?
We can't do a good job for two companies who sell exactly
the same thing, so studying a products unique value is essential.
When
we consider a new line for TransAudio, it's the people
behind a prospective company that is the biggest factor. We want
to know them, find out what makes them tick, why they are in the
business, what they want for themselves out of their work life.
I usually try to stay at a prospective manufacturer's home, for
there you learn a lot about what kind of people they really are.
It is hard to fool someone in your own home! I usually meet two
types in business: those in it for the money and those in it for
the art.
If
they are in it for the money (you can usually tell when they start
discussing quotas instead of sound quality), RUN AWAY fast! That
is no place for us to be! People usually find products from these
types of manufacturers as short term solutions, inexpensive to
purchase but too rapidly obsolete.
If
they are in it for the art, yet are not motivated, this to is
no place for us. Lack of support will kill a product line from
these types of people when there is no urgent response from the
factory to users who have a problem with a clock running. If they
are in it for the art, are organized, motivated, concerned about
customers, plus have conservative income expectations, we want
to talk. This is the type of people we look for, the type of person
who will do something special. Invention is most often found inside
companies with driven owners, owners with a goal that has nothing
to do with money.
While
all these "evaluations" and selection criteria may seem unimportant
before you buy, they become extremely important after
you buy, especially when the product in question is placed in
a critical situation that demands high performance. Many of the
values in our products won't be discovered on first listen or
first use. Some of the value in what we do won't even be discovered
until something goes wrong (God forbid). Clients in make-or-break
situations learn the value of selecting their suppliers carefully.
TransAudio and our manufacturers must add things you value
to the products we offer before and after the sale.
We must make them the best buy you ever made.
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to Top
What
makes TransAudio Group different?
TransAudio is a collective personal statement of our staff that "business" does
not have to be selfish to be successful. It can be about serving others.
Business in its very best form exists to serve only, to contribute something,
way beyond the
product it sells. TransAudio is our vehicle to accomplish that "something more".
TransAudio must help you in a real way and do so ethically, to achieve its real purpose.
Unfortunately,
today's scale of business forces most companies to serve huge
numbers of customers. Huge financial rewards are available for
those who seek to build and sell "cheaper" things. For working
professionals, users who depend on their gear to earn their keep,
cheaper is definitely not better. Better sound is their
way to maintain their edge, their advantage. These clients want
someone who can understand their unique and personal application,
to help evaluate possible investments in new gear within their
context. These clients realize the "right buy" is the lowest cost
"buy" over time. TransAudio has organized its business to serve
these few and do it very well. If we do our job and find unique
items that are of real value, you will know it when you hear it.
Our business is not about twisting the truth, it's about telling
it.
Experience
also makes us different, for we combine a unique array of work
experiences. All our employees are ex-musicians. Most of us have
been a dealer and a rep with personal experience in probably a
hundred audio companies over 25+ years. From Musician to Tascam
Rep, General Manager of a large music store to Government Services,
to National Sales Manager [JBL Pro] to Director of Worldwide Sales
and Marketing [Aphex]. We've been involved in the complete pro
audio industry both big and small. We are in a unique position
to evaluate a broad range of values about a product and the company
behind it. This inner information is invaluable in selecting the
genuine best available for our product mix. This value is then
passed on to our clients, who regularly discover that all the
experience and selective product/company evaluations have a direct
result on the quality of the sound they get.
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Who is TransAudio Group
?
The "we" of TransAudio is,
in order of importance,
Janis:
My wife and Chief Financial Officer who really runs the damn place. (Can
I have $20 please, honey bunch?) She was a bank manager in Illinois and
again in California, until we decided to start a family.
Richard:
Our Sales Manager and chief miracle worker,
Richard solves those pesky problems like: "I
need it by Friday" and "where can I demo
one?" He ran a big music store in South
Dakota, was a Tascam Rep, worked for Guitar
Center, and most recently was the Technology
Manager at Mars in Ft. Lauderdale, Florida.
His favorite phrase: "We want to amaze
you!"
Todd:
Our Operations Manager This
involves keeping the infrastucture going,
shipping, receiving, invoicing, purchasing,
fixing computers, and communicating
with press, webmasters, and other scurrilous
individuals. He comes from 10 years experience
in the Bay Area music community, including
an 8 year stint with Leo's pro Audio and
Spitzer Music management.
Julia: My 9 year
old daughter who is the resident Graphics
Artist. She draws really pretty pictures
on the
whitboards, plus colors in shipping
boxes.
Stephanie: My 6 year
daughter who rearranges the files in the
cabinets on a regular basis. She is our
chief Filing Clerk and Information Manager.
.
Brad:
Our President and marketing manager.
He locks himself in hotel rooms to
write "website copy" (in Vegas? Ya,
right!) and goes to Trade Shows all
the time. Beginning as a gear nut musician,
Brad became Vice President of the largest
pro audio rep firm in Chicago (EV,
Mackie, Crown, dbx), then National
Sales Manager of JBL Pro, then Director
of Sales and Marketing Worldwide for
Aphex, to private consultant for the
audio community.
Jackie and Mel: Janis' parents
whom watch our kids several days a week
so Janis can come to the office. We couldn't
do what we do without them.
Ken Giles of Drawmer UK: Our Company
Mentor and a lifelong business friend,
he serves on our Advisory Board, educating
us in the ways of running your own audio
business. He is the man behind Drawmer,
a company who has made its mark while maintaining
extremely high ethical standards. What
a great guy!
Laila Jantunen of SoundField UK:
The ex-European Sales Manager for Genelec,
Laila serves on our Advisory Board to catch
the stuff Ken misses. Laila is another
European audio veteran, and knows many
of the companies and folks that we work
with.
Our Company History
In July of 1996, I founded Lunde Consulting, an outsource
marketing and sales consultant to the manufacturing community. We did
some interesting projects, from market research for Yamaha to product
research for Fostex to strategic planning for Electro Voice.
In May of 1997 Julia was born, and suddenly the glamorous
world of consulting lost its sheen every time I had to get on an airplane
and leave home. I wanted to find a way to stay home and still earn a living.
In July 1997, we started TransAudio out of our home
in Thousand Oaks California. It began when Drawmer and SoundField (both
UK family run manufacturers) hired Lunde Consulting in May of
that year to find them a US distributor. We couldn't find the
right one for them.
Ken of Drawmer convinced us to become the distributors ourselves.
He said he wanted to help create something new instead of just
hire some unknown
company. He took a big chance on us-all we had was a telephone,
a fax machine, a computer and a belief that we "could do it". We owe him
our existence and find it a testament to the ideal that there
are still great
people out there doing great things in business.
In the fall of 1997, we added Brauner from
Germany, an owner run, hand manufacturer of studio mics that
sound unlike anything else I had ever heard. I traveled to
Germany to meet Dirk after
Musikmesse and rode back with him back to his "tube farm" (his farmhouse
with some acreage) about an hour north of Duesseldorf.
In summer of 1998 we hire Marla, a friend of the
family, to help us part time. She was going to school and needed a part
time income. She helped us tremendously, dealing with paper work and the
hard stuff we somehow never had time to do.
In late summer of 1998 API came
along, after I got to know Paul Wolf, the guy behind the company. He
was our
very first US
manufacturer. Paul is a very creative outspoken guy, bubbling
with ideas, driven to the max. He came to me because he believed
we would "do it the
right way" instead of take the easy money and screw up his company in
the process.
In early 1998, we hired our first regular employee,
Geronimo "G" Cebrero. G helped us through a tough period when we were
still losing money but desperately needed help to operate the
business. We had to deal with a 2 year old, a pregnant CFO and
a business at the
same time. Whoa! I'm glad we are past that!
In October of 1999 Stephanie was born and the home
office idea went out the window over night. I rented an office the next
day.
In September of 2000 we moved to Las Vegas, as grandma
and grandpa lived there and Janis and I needed help with the kids to devote
sufficient time to the business. Not being daycare types, grandma and
grandpa sounded real good to us! We lost G, and moving day was a sad day.
In October of 2000 we hired Richard Bowman as Sales Manager.
We moved him up from Miami Florida, where he worked for Mars. Richard
and I knew each other through mutual friends, and he came to us through
our search for a key person who valued ethics highly. We hired the right
guy, and he has been invaluable to our customers, Janis and I. If you
call the office, he will most likely answer the phone.
In November
of 2003 we hired Todd Peterson to
help with the marketing and information
flow. We had added several lines: ATC, Daking,
GML, Soundelux, etc... and also planned on making a bigger
presence for our direct sales lines. Todd added that extra
person with experience
in music, the music industry, and in streamlining infrastructure
to handle the needs of a growing company.
In
January 2005 we launched Las Vegas Pro Audio as
a high presence conduit directly to the end user. With the
addition of DAD, Enhanced Audio, Accusound and more to come,
Las Vegas Pro Audio is fast becoming
the first stop for audio professionals.
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Where
do I find the products on this site locally?
That's usually a simple issue of calling us so we can direct you
to the nearest store that carries our products.
TransAudio Group, 702-365-5155. Hours 7AM to 4PM West Coast
(Pacific) Time.
As
much as we screen our product lines, we also screen potential
dealers. Our idea of a great dealer is one that adds something
valuable to our product, such as knowledge, demos and after
sale service. We want the "best of the best" dealer network across
the entire US. When we make a recommendation to call "Dealer X"
in your area, we want you to be impressed and pleased with the
level of service you receive. Its critical in our view to have
a dealer that understands the difference between our gear
and the "price point/mass market" gear. Can they explain the difference
between a 1066 and a Drawmer DL241? Can they provide an "in studio" demo
of a Bock Audio microphone? Can a store explain why an $8500
Bock microphone is a bargain when compared to vintage mics?,
We need a store that knows the difference between an ADAT and
a Studer, between a Manley Vari-Mu and a Distressor, between
a U47 and C12. Without the right level of knowledge on the
part of the dealer, products can be misunderstood and sold
into the wrong application, leaving the user disappointed
and frustrated.
If
a local dealer tells you he does not carry a product of ours
because "it's no good",
walk straight out the door. That's not the truth! The real
reason they do not have it is usually we won't sell them.
We are very selective about who we sell to, choosing only the
best store in the area for technical expertise, advice, familiarity
with similar brands of gear and a reputation for quality and
customer service. Our products are a little
harder to find than most things, but they are worth the extra
effort.
Call
us, let us help you find the right dealer for you. If you
want low prices, tell us. If you want information and advice, tell
us. We know who does what. There are awesome dealers out there
who have a wealth of experience to share, and will do so free
of charge to their customers. As we said on the opening page,
the right buy is not always the lowest cost item, but the right
item for you in your unique situation. Email
us directly if you don't know where to go. We will refer
you to the nearest dealer authorized to sell our products and
tell you about them.