Mic Pre EQ audio files
(all 24bit, 48kHz. Click links to listen in your browser or Right-Click on links to download)

Drums and Percussion

Kick no EQ       Kick w/EQ (3.02 MB)
Pearl 22x16" Kick Drum:
EQ: 80hz +3dB, 500hz -15dB, 5khz +3dB, 8khz +3dB
-Recorded with Shure Beta 52A

Snare  no EQ     Snare w/EQ (3.02 MB)
Gretsch 6 1/2" Maple Snare:
EQ: 250hz -3dB, 5khz +3dB,
-Recorded with Shure SM57

Tom 1 no EQ    Tom 2 no EQ   
Tom 1 w/EQ    Tom 2 w/EQ (3.02 MB)
Pearl 10x12" Rack Tom, Pearl 16x16" Floor Tom:
EQ: 500hz -9dB, 3khz +3dB
-Recorded with Sennhesier MD 421

Tom Groove w/EQ (11.7 MB)

Cajone no EQ    Tambourine no EQ    Shaker no EQ (4.44 MB)
-Recorded with Sennhesier MD 421 and Shure Beta 52A

Tim Horsley drum groove with the Mic Pre EQ

 

Guitars

Acoustic no EQ    Acoustic w/EQ (4.54 MB)
Taylor Acoustic Guitar:
EQ: 80hz -3dB, 500hz -3dB
-Recorded with Neumann KM 84s

Electric no EQ    Electric w/EQ (6.18 MB)
Paul Reed Smith Electric Guitar:
EQ: 250hz -3dB, 5khz +3dB
-Recorded through a Fender Deluxe with an SM57

Electric Solo no EQ    Electric Solo w/EQ (6.05 MB)
Paul Reed Smith Electric Guitar:
EQ: 250hz -3dB, 5khz +3dB
-Recorded through a Fender Deluxe with an SM57

 

 

Keyboards

Piano no EQ    Piano w/EQ (4.70 MB)
Yamaha C7 Piano:
EQ: 100hz +3dB, 250hz -3dB, 7khz +3dB
-Recorded with Shure KSM44s

Rhodes no EQ    Rhodes w/EQ (4.44 MB)
Fender Suitcase Rhodes:
EQ: 50hz -3dB, 1khz +3dB, 8khz +6dB
-Recorded with AKG C 414s

Hammond Organ no EQ    Hammond Organ w/EQ (4.44 MB)
Hammond C3 Organ:
EQ: 50hz -6dB, 250hz +3db, 12khz +3dB
-Recorded with AEA R84s

Basses

Electric Bass no EQ    Electric Bass w/EQ (6.32 MB)
Fender Precision Bass:
EQ: 125hz +3dB, 1.5khz +3dB
-Recorded direct

Upright Bass no EQ    Upright Bass w/EQ (4.43 MB)
Upright Bass:
EQ: 250hz -3dB, 1.5khz +3dB
-Recorded with AEA R84

Vocals

Vocal No EQ    Vocal w/EQ (12MB)
Recorded with Bock 195
EQ settings: +3db at 100 Hz, -3db at 250 Hz, +3dB at 12k

 Comparison files

Leticia Wolf ProTools Session with Comparison Files

Yamaha C7 Piano
Preamp N; Daking
-Recorded with Shure KSM44s

Hammond C3 Organ
Preamp N; Daking
-Recorded with AEA R84s

Upright Bass
Preamp N; Daking
-Recorded with AEA R84

Drum Groove:
Preamp A; Daking
Pearl 22x16" Kick Drum Recorded with Shure Beta 52A
Gretsch 6 1/2" Maple Snare Recorded with Shure SM57
Pearl 10x12" Rack Tom Recorded with Sennhesier MD 421
Pearl 16x16" Floor Tom Recorded with Sennhesier MD 421

Fender Precision Bass
Preamp A; Daking
-Recorded direct

Paul Reed Smith Electric Guitar
Preamp A; Daking
-Recorded through a Fender Deluxe with an SM57

FET II audio files
(all 24bit, 48kHz. Click links to listen in your browser or Right-Click on links to download)

Drums and Percussion
Kick w/ EQ(Threshold 0, Ratio 3:01, Attack 250):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Snare w/ EQ (Threshold -2, Ratio 3:01, Attack 500):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Tom 1 w/ EQ (Threshold -2, Ratio 3:01, Attack 250):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Tom 2  w/ EQ (Threshold 0, Ratio 3:01, Attack 250):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Tom Groove w/ EQ (Threshold 0, Ratio 3:01, Attack 250):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Tambourine w/ EQ (Threshold -2, Ratio 3:01, Attack 250):
Dry; Release .5; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Shaker w/ EQ (Threshold -4, Ratio 3:01, Attack 250):
Dry; Release .5; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Guitars
Acoustic Guitar (Threshold 0, Ratio 3:01, Attack 500):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Electric Guitar (Threshold 2, Ratio 3:01, Attack 500):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Electric Guitar Solo (Threshold 2, Ratio 3:01, Attack 500):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Keyboards
Piano (Threshold 4, Ratio 3:01, Attack 2):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Rhodes (Threshold -2, Ratio 3:01, Attack 1):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Hammond Organ (Threshold -2, Ratio 3:01, Attack 1):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Basses
Electric Bass (Threshold 4, Ratio 3:01, Attack 1):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)
Upright Bass (Threshold 2, Ratio 3:01, Attack 1):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)

 

Vocals

Source File is the EQed file
(Threshold: 0, Ratio: 3:1, Attack: 1)
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)

 

FET III audio files
(all 24bit, 48kHz. Click links to listen in your browser or Right-Click on links to download)

Drums and Percussion

Kick w/ EQ
Threshold: 9 O'Clock
Attack: 8 O'Clock
Release: 9 O'Clock
Gain: 12 O'Clock
Ratio: 3:1
HPF: off

Snare w/ EQ
Threshold: 9 O'Clock
Attack: 9 O'Clock
Release: 12 O'Clock
Gain: 12 O'Clock
Ratio: 5:1
HPF: off

Tom 1 w/ EQ
Threshold: 9 O'Clock
Attack: 9 O'Clock
Release: 12 O'Clock
Gain: 12 O'Clock
Ratio: 5:1
HPF: off

Tom 2 w/ EQ
Threshold: 9 O'Clock
Attack: 9 O'Clock
Release: 3 O'Clock
Gain: 12 O'Clock
Ratio: 5:1
HPF: off

Tom Groove w/ EQ

Threshold: 12 O'Clock
Attack: 10 O'Clock
Release: 10 O'Clock
Gain: 11 O'Clock
Ratio: 5:1
HPF: off

Tambourine w/ EQ
Threshold: 12 O'Clock
Attack: 9 O'Clock
Release: 10 O'Clock
Gain: 11 O'Clock
Ratio: 5:1
HPF: 200

Shaker w/ EQ
Threshold: 9 O'Clock
Attack: 10 O'Clock
Release: 10 O'Clock
Gain: 2 O'Clock
Ratio: 10:1
HPF: 200

 Guitars

Acoustic Guitar
Threshold: 12 O'Clock
Attack: 10 O'Clock
Release: 2 O'Clock
Gain: 12 O'Clock
Ratio: 5:1
HPF: 80

Electric Guitar
Threshold: 12 O'Clock
Attack: 10 O'Clock
Release: 2 O'Clock
Gain: 11 O'Clock
Ratio: 3:1
HPF: off

Electric Guitar Solo
Threshold: 12 O'Clock
Attack: 10 O'Clock
Release: 2 O'Clock
Gain: 12 O'Clock
Ratio: 5:1
HPF: 80

 Keyboards

Piano
Threshold: 12 O'Clock
Attack: 10 O'Clock
Release: 2 O'Clock
Gain: 11:30 O'Clock
Ratio: 3:1
HPF: off

Rhodes
Threshold: 10 O'Clock
Attack: 10 O'Clock
Release: 2 O'Clock
Gain: 12 O'Clock
Ratio: 5:1
HPF: off

Hammond Organ
Threshold: 10 O'Clock
Attack: 9 O'Clock
Release: 2 O'Clock
Gain: 12 O'Clock
Ratio: 5:1
HPF: 140

 Basses

Electric Bass
Threshold: 12 O'Clock
Attack: 9 O'Clock
Release: 10 O'Clock
Gain: 11 O'Clock
Ratio: 3:1
HPF: off

Upright Bass
Threshold: 12 O'Clock
Attack: 9 O'Clock
Release: 2 O'Clock
Gain: 11:30 O'Clock
Ratio: 3:1
HPF: 80
More Drums

Dry

Compressed

Threshold: 11 o'clock
Ratio: 3:1
Attack: 10 o'clock
Release: 10 o'clock
HPF: off
Gain: 12 o'clock
2-Buss Mix

Dry

Compressed

Threshold:12 o'clock
Ratio: 2:1
Attack: 11 o'clock
Release: 12 o'clock
HPF: off
Gain: 11:30
Strings

Dry

Compressed

Threshold: 9 o'clock
Ratio: 3:1
Attack: 9 o'clock
Release: 2 o'clock
HPF: 40
Gain: 12 o'clock
Choir

Dry

Compressed

Threshold: 12 o'clock
Ratio: 3:1
Attack: 10 o'clock
Release: 2 o'clock
HPF: 140
Gain: 2 o'clock

Electronic Loop

Dry

Compressed

Threshold: 12 o'clock
Ratio: 3:1
Attack: 9 o'clock
Release: 9 o'clock
HPF: off
Gain: 12 o'clock

 Vocal

Vocal
Threshold: 12 O'Clock
Attack: 10 O'Clock
Release: 2 O'Clock
Gain: 12 O'Clock
Ratio: 3:1
HPF: off