Drums and Percussion

Kick no EQ       Kick w/EQ (3.02 MB)
Pearl 22x16" Kick Drum:
EQ: 80hz +3dB, 500hz -15dB, 5khz +3dB, 8khz +3dB
-Recorded with Shure Beta 52A

Snare  no EQ     Snare w/EQ (3.02 MB)
Gretsch 6 1/2" Maple Snare:
EQ: 250hz -3dB, 5khz +3dB,
-Recorded with Shure SM57

Tom 1 no EQ    Tom 2 no EQ   
Tom 1 w/EQ    Tom 2 w/EQ (3.02 MB)
Pearl 10x12" Rack Tom, Pearl 16x16" Floor Tom:
EQ: 500hz -9dB, 3khz +3dB
-Recorded with Sennhesier MD 421

Tom Groove w/EQ (11.7 MB)

Cajone no EQ    Tambourine no EQ    Shaker no EQ (4.44 MB)
-Recorded with Sennhesier MD 421 and Shure Beta 52A

Guitars

Acoustic no EQ    Acoustic w/EQ (4.54 MB)
Taylor Acoustic Guitar:
EQ: 80hz -3dB, 500hz -3dB
-Recorded with Neumann KM 84s

Electric no EQ    Electric w/EQ (6.18 MB)
Paul Reed Smith Electric Guitar:
EQ: 250hz -3dB, 5khz +3dB
-Recorded through a Fender Deluxe with an SM57

Electric Solo no EQ    Electric Solo w/EQ (6.05 MB)
Paul Reed Smith Electric Guitar:
EQ: 250hz -3dB, 5khz +3dB
-Recorded through a Fender Deluxe with an SM57

Keyboards

Piano no EQ    Piano w/EQ (4.70 MB)
Yamaha C7 Piano:
EQ: 100hz +3dB, 250hz -3dB, 7khz +3dB
-Recorded with Shure KSM44s

Rhodes no EQ    Rhodes w/EQ (4.44 MB)
Fender Suitcase Rhodes:
EQ: 50hz -3dB, 1khz +3dB, 8khz +6dB
-Recorded with AKG C 414s

Hammond Organ no EQ    Hammond Organ w/EQ (4.44 MB)
Hammond C3 Organ:
EQ: 50hz -6dB, 250hz +3db, 12khz +3dB
-Recorded with AEA R84s

Basses

Electric Bass no EQ    Electric Bass w/EQ (6.32 MB)
Fender Precision Bass:
EQ: 125hz +3dB, 1.5khz +3dB
-Recorded direct

Upright Bass no EQ    Upright Bass w/EQ (4.43 MB)
Upright Bass:
EQ: 250hz -3dB, 1.5khz +3dB
-Recorded with AEA R84

Vocals

Vocal No EQ    Vocal w/EQ (12MB)
Recorded with Bock 195
EQ settings: +3db at 100 Hz, -3db at 250 Hz, +3dB at 12k

Drums and Percussion

Kick w/ EQ(Threshold 0, Ratio 3:01, Attack 250):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Snare w/ EQ (Threshold -2, Ratio 3:01, Attack 500):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Tom 1 w/ EQ (Threshold -2, Ratio 3:01, Attack 250):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Tom 2  w/ EQ (Threshold 0, Ratio 3:01, Attack 250):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Tom Groove w/ EQ (Threshold 0, Ratio 3:01, Attack 250):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Tambourine w/ EQ (Threshold -2, Ratio 3:01, Attack 250):
Dry; Release .5; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Shaker w/ EQ (Threshold -4, Ratio 3:01, Attack 250):
Dry; Release .5; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Guitars

Acoustic Guitar (Threshold 0, Ratio 3:01, Attack 500):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Electric Guitar (Threshold 2, Ratio 3:01, Attack 500):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Electric Guitar Solo (Threshold 2, Ratio 3:01, Attack 500):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Keyboards

Piano (Threshold 4, Ratio 3:01, Attack 2):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Rhodes (Threshold -2, Ratio 3:01, Attack 1):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Hammond Organ (Threshold -2, Ratio 3:01, Attack 1):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Basses

Electric Bass (Threshold 4, Ratio 3:01, Attack 1):
Dry; Release 1.5; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Upright Bass (Threshold 2, Ratio 3:01, Attack 1):
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Vocals

Source File is the EQed file
(Threshold: 0, Ratio: 3:1, Attack: 1)
Dry; Release 1.0; 33609 Release; Compex Release;
Fairchild Release (Position 5)

Drums

Dry

Compressed

Threshold: 11 o'clock
Ratio: 3:1
Attack: 10 o'clock
Release: 10 o'clock
HPF: off
Gain: 12 o'clock

2-Buss Mix

Dry

Compressed

Threshold:12 o'clock
Ratio: 2:1
Attack: 11 o'clock
Release: 12 o'clock
HPF: off
Gain: 11:30

Strings

Dry

Compressed

Threshold: 9 o'clock
Ratio: 3:1
Attack: 9 o'clock
Release: 2 o'clock
HPF: 40
Gain: 12 o'clock

Choir

Dry

Compressed

Threshold: 12 o'clock
Ratio: 3:1
Attack: 10 o'clock
Release: 2 o'clock
HPF: 140
Gain: 2 o'clock

Electronic Loop

Dry

Compressed

Threshold: 12 o'clock
Ratio: 3:1
Attack: 9 o'clock
Release: 9 o'clock
HPF: off
Gain: 12 o'clock